Hey, so I said I’d do the Q&A and analyse … here we are.
Questions are in bold, Giovanna’s answers are in italics, my comments are basic
font. Sound easy enough? My overall analysis will be done in a couple of days.
Billy
and Me looks at
the price of fame and having a relationship in the spotlight. What made you
decide to write about this subject Did you draw from your own experiences?
Before Giovanna even responds – did it look at the price of fame?
I mean, really? I didn’t see Billy struggle with his lack of privacy or how he
might have protected Sophie from crazy fans. I didn’t see late nights and early
mornings and him struggling to smile and look grateful for what he’d been given
even though it was damn hard work. I didn’t see him telling Sophie that he
missed her and he wished work wasn’t coming between them so much. I saw him
working late shifts and being sociable and enjoying life.
Thanks to
the media, people have certain ideas of what dating a celebrity must be like –
some girls claim that it’s all they want from life. All us ‘WAGS’ just shop and
eat lettuce leaves all day, don’t we? Erm, no. In Billy and
Me I wanted to capture a more rounded
version of that supportive lifestyle. There are incredible highs, but there’s
also the hurt, the insecurities and the loneliness to contend with. And yes,
I’d be lying if I said I wasn’t inspired by my own experiences at first, but
that was only when I started. The novel had a life of its own after those
initial ideas.
I always thought the idea of dating a celebrity was heinous. I
mean, don’t get me wrong, I have celebrity crushes and if Zac Efron, Jake
Gyllenhaal, Jensen Ackles or Lee Pace (to name a few) came banging on my door,
it would be damn near impossible to say no to them. But the months apart, the
other influences on them, being out of the in-jokes or made to feel like an
accessory … no thanks. And those girls who say it’s all they want? Five minutes
ago, all they wanted was a dress, two weeks ago all they wanted was a dog … I’m
not saying there’s not people obsessed with the idea of celebrity culture, but
they’re few and far between. For the most part, people just want the free shit
and hot partner.
And doesn’t WAG just apply to footballer’s partners? Actual
question, I always thought it did. Regardless, the only WAGS fitting that
obnoxious stereotype are the ones who want to make their own name on the back
of their husbands/boyfriends. Think of how many footballers there are in the
national leagues, and how many of their WAGs we hear about … just a small
point, Giovanna.
I laughed at ‘well rounded version of that supportive lifestyle’.
So sulking in bed rather than staying up to see your partner and removing all
your interests to stare at the clock waiting for them and screeching at them
for doing their job is all well-rounded?
I’m just grateful that she admits hardly any of the story compares
to her experience.
What made
you decide to set the majority of Billy and Me in a tiny village in Kent? Do
you have a particular connection to this area?
Did Giovanna write her own questions?
I have
lived in Kent – I studied there for three years – but I don’t think Sidcup can
be compared to Rosefont Hill. With Kent known as ‘The Garden Of England’, it
seemed fitting to set my idyllic village there. Also, I wanted somewhere small
and safe for Sophie, with a close-knit community, somewhere vastly different to
the busy streets of London.
She should have made the village Pagford.
Seriously, one of my BFFs lives in Kent, and together we’ve gone
through Dover, Maidstone, Folkestone and another one escaping my memory. My
family did a caravan holiday there in 2012, in New Romney, around the
Hythe/Dymchurch/Dungeoness area. My stepbrother lives in Maidstone. I know
Kent. Nowhere in Kent is how she described, let alone Sidcup. It’s like me
writing a place in Essex that was just full of scholars and nerds … and not
just the Ideas Hub in Chelmsford. Like, a village the size of Stock.
I’m all for writing a quaint little town, but I honestly think
Giovanna’s writing in the wrong century.
One of the
main themes of Billy and Me focuses
on keeping hold of your dreams and not losing sight of who you really are and
what you want out of life. What is it about this theme that made you want to
write about it?
Being an
actress it’s important to keep focused and positive, which is hard when there’s
so much rejection out there. I think of it like being on a bucking broncko –
you sit there holding on for as long as you can, trying not to get flung to the
ground. It’s inevitable that you will be at some point, what’s important is how
you handle it when you do. You get up, get back on and keep striving towards
your goal. I’ve had my fair share of setbacks and it’s so easy to get
sidetracked and lose sight of what you cherish and value – but it’s those
little things that make everything worthwhile! That’s where the magic happens.
Is it me, or did she not even answer the question? She’s talking
about how hard it is to be an actress, not what I would have expected, like
being inspired by a quote or valuing her own dreams. Maybe I’m missing the
point?
How and
where do you write?
Are you freaking kidding me? With a laptop, a pen and paper, in a
chair. Like everyone else.
First, I
create a big summary, letting me know where I’m going with the plot and helping
me focus my thoughts. Then I just get cracking. I aim to write 1,500 words a
day. On a good day I’ll do double that, on a bad day I’ll do half. I write in
my office at home, which is like my little den – it’s full of posters, Venetian
masks, inspiring quotes, books and photos of almost everyone I know and love. I
usually write in there but sometimes, if my room becomes a distraction (there’s
so much to look at), I sit in the garden room looking out at the greenery –
just me, my laptop and a glass of water. Oh, and a cat, or two, or three, or
four …
So she basically NaNos. And 3,000 words on a good day? Awww,
hunny, my best day on NaNo I did 6742. Outside of Nano, on a day off I managed
6626. Of course, there’s days I don’t write anything – I have a week completely
clear on my calendar – my point is, her best days are kinda like my average
day. Just as an example, I have written 771 words by this point. And we’re
barely getting started, plus I’ve done some Reunited. I can do 1200 in an hour –
I did so during a NaNo writing sprint. Her boasting really doesn’t amount to
much. I know a guy who completed the 50k NaNo challenge in 12 days.
Also, her workspace sounds cluttered and distracting and like
someone trying to fit into a role. Don’t all authors have an office full of
inspiration? Um … well, I sit on the sofa and zone out of my parents TV shows
to type like crazy. I get in the zone in the middle of the living room, pissing
off my mum when she fails to make conversation with me because I’m typing
furiously. Apparently, I type megafast as well (no, really mother, no).
Oh God, it’s that answer next, the one that makes me look at like,
four of my books and shake my head in disgust.
Who or
what was your biggest influence in deciding to become a writer?
A couple
of people said they thought I should do it – my husband and my friend Karen. I
knew I’d love to, but had no idea where you start with something like that.
Then I met Hannah, an agent, who told me she thought I’d be good at it … again,
where do you start? Then, I was out for lunch with author Dorothy Koomson one
day and she told me her biggest piece of advice to aspiring authors was, ‘do
it’. So I did!
I’m just going to leave this here.
I love how she only decided to be a writer because her husband and
friend said she should, and then some agent (who was probably shagging Danny,
let’s face it) was like ‘oh, yeah, sure’ and then she needed someone to say
‘you just write’ to know to … just write.
Okay, so little story time that the majority of you may have seen
on my Facebook recently. I was saying how I thought authorship should run more
like a business, and decided it was a story idea I would develop at a later
date (my fourth in a week, and third written down. On fire right now!) and a
friend said he wanted to write, but never knew what to write about. He had
tried before, and knew what genre would suit him best and it’s one I know he
knows well. And I did encourage him to just write it, see what happened. And
then I said – and I think it’s important that this message gets across too –
that the first draft might be bad, but it’s the springboard to go from. I’ve
written uprooted about four times now, and this last version is the one that
feels alive, that I feel comfortable with. So write the crappy version, then
strip away the bad and add the good and find some good beta readers who will
call you out on your shit and reason through plotholes and help make it better.
There are tonnes of people out there who call themselves writers
and never pick up a pen or open a word document. There are writers I know who have
been doing it for years and only just now consider themselves writers. And
there are people (hi, this bit is me) who know they’re writers because that’s
just how they are, but they’re not authors, because authors publish books and
writers tell stories regardless.
And finally, this was the opportunity to talk about her favourite
authors and books that inspired, and … nothing. Wow.
What are
your favourite books?
The question needs to be repeated because she didn’t get it.
I have so
many – I’m a real bookworm. Three books that I read years ago that have stuck
with me are Jemima J by Jane Green, My Best Friend’s Girl by Dorothy Koomson
and Playing Away by Adele Parks. Jane Eyre by Charlotte Bronte is my absolute
favourite though.
I have the second book, it was my first DK. But what a crappy
answer! Like, my absolute favourite book is Lionel Shriver’s We Need To Talk
About Kevin, but I love Scarlett Thomas’ The End Of Mr Y, anything JK Rowling
puts her name (or pseudo name) on. I love Sarah Dessen, with This Lullaby and
Dreamland being my favourites and Just Listen reminding me strongly of Lamb and
Carter in Annabel and Owen. I still adore Narnia, The Voyage Of The Dawn
Treader being the best one. I loved reading The Count Of Monte Cristo,
Frankenstein, Dr Jekyll And Mr Hyde. Veronica Roth and Ally Condie write
amazing dystopians. I love Jay Asher’s 13 Reasons Why. The Pittacus Lore
chronicles are awesome, even if James Frey made up his autobiography and may
publish under just his name, despite writing the series with his students
(dodgy!) Holly Smale is a new author to watch for, and I recently discovered
Jennifer E Smith. I loved Suzanne Collins, and have you read Septimus Heap? But
also, and I can’t stress this enough, there is a world of beauty in just The Raven.
I grew up on Ann M Martin, Paula Danziger, Judy Blume, Enid Blyton and
Jacqueline Wilson.
All these books – and others I can’t stand – have had such an
impact on me. I would hate to do a disservice to any of those books by
forgetting them.
How do you
most love to spend your time when you’re not writing?
So, the other 23 hours of the day.
I’d love
to say lying in bed while eating chocolate, but I don’t want to appear like a
complete slob. In my downtime I read anything I can get my hands on, see my
friends and remember what it’s like to have a life, and go on great walks in
the country.
I will only say this in regards to the above – Giovanna is now
pregnant. Congratulations and all … but remember what it’s like to have a life
in six months. Try it.
Where’s
your favourite place to escape to?
I’d have
to say my bed!
What a way to end a book!
That’s it. Thanks for sticking through this with me. Enjoy my
summary, when I finally write it. Hopefully it won’t be too long.
Also, currently word count for tonight, including this entire
piece and Reunited? And considering I’ve been on it since 9 and it’s 11.15 now?
1614 Words. Making the point again.
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